References

REFERENCES FOR INAR 101 – 102

 

Aksoy, E. (1987). Mimarl覺kta Tasar覺m Bilgisi. Ankara: Hatipolu Yay覺nevi.

 

Arnheim, R. (1988). The Power of the Centre: a study of composition in the visual arts. Berkley: University of California Press.

 

Berger, J. (1986). Görme Biçimleri. 襤stanbul: Metis Yay覺nevi.

 

Bevlin, M. (1989). Design through Discovery. Fort Worth, TX: Harcourt Brace.

 

Birren, F. (1987). Principles of Color. West Chester: Schiffer Publishing Ltd.

 

Bowers, J. (1999). Introduction to two-dimensional design: Understanding form and function, New York: John Wiley & Sons.

 

Ching, Francis D. K. Architecture: form, space and order. New York: Van Nostrand Reinhold, 1979.

 

Ching F., Green J.N., & Lasseau, P. Graphic Communication. In Erpi, F. & Gürsu H. (Eds.), Ankara: ODTÜ Bas覺m 襤lii.

 

Denel, B. (1979). A Method for Basic Design. Ankara: Middle East Technical University.

 

Denel, B. (1981). Teme Tasar覺m ve Yarat覺c覺l覺k. Ankara: O.D.T.Ü. Yay覺nlar覺.

 

Denkel, A. (1996).  Anlam ve Nedensellik. 襤stanbul: Kalaba Yay覺nevi.

 

Dewey, J. (1959). Art as Experience. New York: Wideview/ Perigee Books.

 

Erich S. & Ilin M. (1998). 襤nsan Nas覺l 襤nsan Oldu. 襤stanbul : Say Yay覺nlar.

 

Erpi, F. (2005). Bir Yaamdan Fotoraflar. Ankara: Paraf Yay覺nevi.

 

Erpi, F. (1980). A Handbook on Urban Traffic Planning. Ankara: ODTÜ Bas覺m 襤lii.

 

Feisner, A. (2001). Colour. London: Laurence King Publishing.

 

Feldman, E. B. (1987). Varieties of visual experience. Englewood Cliff: Prentice-Hall.

 

Gelenter, M. (1995). Sources of Architectural Form. London: Manchester University Press.

 

Itten, J. (1970). The Elements of color; a treatise on the color system of Johannes Itten. New York: Van Nostrand Reinhold Co.

 

襤nceolu, N. (1995). Düünce ve Anlat覺m Arac覺 Olarak Eskizler. 襤stanbul: Helikon Yay覺nlar覺.

 

Kortan, E. (2005). Le Corbusier Gözüyle Türk Mimarl覺k ve ehircilii. Ankara: Boyut Yay覺n Grubu.

 

Krier, R. (1988). Architectural Composition. London: Academy Editions.

 

Ladau, Robert. Color in Architectural and Interior Design. New York: Van Nostrand Reinhold, 1988.

 

Laseau, P. (2001). The Graphic Thinking for Architects & Designers. New York: John Wiley & Sons Inc.

 

Lauer, D. & Pentak, S. (1995). Design Basics. New York: Harcourt Brace.

 

Lowry, B. (1967). The Visual Experience: An Introduction to Art. New York: Harry N. Abrams, Inc.

 

Margolin, V. & Buchanan, R. (Ed.). (1995). The idea of design. Cambridge, Mass: MIT Press.

 

Starr, A. (1992). Yaratma Dürtüsü., 襤stanbul: Yay覺nevi Yay覺nlar覺.

 

Sungur, N. (1992). Yarat覺c覺 Düünce., 襤stanbul: Özgür Yay覺nc覺l覺k.

 

Swann, A. (1987). Basic Design and Layout. Oxford: Phaidon.

 

Tanal覺, M. Z. (2002). Sevgili Düünceler. Ankara: Mimarlar Dernei.

 

Tanal覺, M. Z., Onur, A Z. (2004). Modern Sonras覺. Ankara: TMMOB Ankara ubesi.

 

Thiel, P. (1981). Visual awareness and design: an introductory program in conceptual awareness, perceptual sensitivity, and basic design skills. Seattle: University of Washington Press.

 

Uurlu, F. Y. (1979). Mimari Projeye Giri. Konya: KDMMA.

 

Uurlu, F. Y. (2001). Mimari Tasar覺m Sorunlar覺nda K覺lg覺 – Kuram 襤likisi. Ankara: Ç.Ü.

 

Uurlu, F. Y. (2001). Maket Yap覺m Teknikleri. Ankara: Ç.Ü.

 

Wolfe T. (1996). From Bauhaus to Our House. Ankara: Mimarlar Dernei Yay覺nlar覺.

 

Wong, W. (1972). Principles of Two Dimensional Design. New York: Van Nostrand Reinhold.

Zelanski, P. & Fisher, M. P. (1989). Colour for Designers and Artists. London: The

Herbert Press.

 

Zevi, B. (1990). Mimariyi Görmeyi Örenmek. 襤stanbul: Birsen Yay覺nevi.